Tutus on Tour was a program of three short ballet works developed by Queensland Ballet for smaller stages in rural and remote communities. The program comprised of a selection of three works, Ershter Vals, Three Preludes and Verdi Variations, designed to give audiences a taste of their state ballet company in a local setting.
arTour toured two separate parties of Queensland Ballet dancers, artistic staff and crew to present Tutus on Tour. One party toured to central and North Queensland while the other party covered outer-metropolitan and south-west areas of the state. Splitting the company ensured a greater number of communities received the production.
In addition to the performance, community engagement activities including dance classes for participants from the age of two years to secondary school age, pre-show storytelling and post-show Q&A sessions were offered.
September and October 2016
Mackay, Townsville, Cairns, Hughenden, Mt Isa, Longreach, Capella, Redcliffe, Ipswich, Caloundra, Toowoomba, Gladstone, Esk, Chinchilla, Goondiwindi, Logan, Julia Creek, Cloncurry, Emerald, Dalby, Maryborough, Mountain Creek, Beerwah, Glass House Mountains, Roma
$259,819– Playing Queensland Fund
Thank you for making ballet accessible to all - Attendee
I thought it was fantastic that there were little kids up dancing in front of the stage…. Who knows, one of the kids dancing out the front just might be a member of the Queensland Ballet in twenty years. - Attendee
Workshops provided an unforgettable experience for the kids and an opportunity to develop their skills with professionals. Due to our remote location, access to this kind of opportunity is limited. – Mt Isa Civic Centre
Being able to access this type of performance, especially being family friendly, instils the great importance of art and culture to all members of our community and has many benefits to the wellbeing of our community, providing for many respite from trying economical times. – Flinders Council
Queensland Ballet reflected on the value of community engagement:
it was clear that the community engagement activities enhanced the performance significantly. Future tours will be programmed as a combined package of performance and engagement activities and pitched to presenters as a fully integrated offering
Unplanned activities at different regional venues also deepened audience experience:
Three regional venues opened the house to the audience one hour prior to the show commencing. This allowed the audience to watch the company barre (dancers warming up) which gave them a unique insight into the hard work and skills of a professional dancer.
Technical challenges were experienced at many venues due to the size of venue or available resources. This led to adaptions of stages in some places by Queensland Ballet technicians. This will be considered in future tours.
A pdf version of this case study (PDF) (343.79 KB) is available.
Image on case study page and banner image: Dancers: Neneka Yoshida, Eleanor Freeman, Tamara Hanton and Teri Crilly, Creative Direction Designfront, Photographer Simon Lekias, Stylist Mark Vassallo, Makeup Nicole Thompson from MAC Cosmetics, Hair Richard Cavanagh